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Nikon 50MM 1.8 G Camera Lens

Nikon 50MM 1.8 G Camera Lens

Product Id: 91.03.035.12

Regular Price BDT  17,360
Special Price BDT  16,500

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Quick Overview

Nikon 50MM 1.8 G Camera Lens

Additional Information

Model Nikon 50MM 1.8 G
Lens Type Prime lens
Lens Mount Nikon F (FX)
Viewing Angle 47 degree
Optic Elements 7
Motor Type Ultrasonic
Minimum Focus 0.45 m (17.72
Maximum Magnification 0.15x
Max. Format size 35mm FF
Length 53 mm (2.07
Focal Length Ranges Standard
Filter Size 58mm
Aperture Ring No
Announced Apr 27, 2011
Aperture Notes rounded blades
Autofocus Yes
Compatible With Nikon D3200, D5300, D5500, D5600, D7100, D7200, D7500, And Full Frame Body D610, D750, D810, D850
Diameter 72 mm (2.83
Focal Length 50mm
Intended Use Portraiture, Nature
Maximum Aperture f/1.8 G
Minimum Aperture F16
Number of Diaphragm 7
Optic Groups 6
Weight (gm) 185gm
Color Black
Warranty 1 year

Details

Nikon AF-S Nikkor 50mm f/1.8G

                                         

Your DSLR’s best friend

A must-have for standard portraits and everyday use, the AF-S NIKKOR 50mm f/1.8G is a lens that will absolutely surprise you. The 50mm focal length (75mm equivalent on DX format cameras) with a fast f/1.8 aperture allows you to capture stunning images with a shallow depth-of-field, letting your subjects stand out from their backgrounds. The AF-S NIKKOR 50mm f/1.8G may soon become your new favorite lens.

Get astonishing low light results

This lightweight standard lens is a great travel companion because you never know when a beautiful, sunny day will turn cloudy and rainy. With its fast f/1.8 aperture, the AF-S NIKKOR 50mm f/1.8G will capture even low-light situations with stunning brilliance.

Achieve more natural depth of field

Whether you're shooting portraits, food or nature—indoors or outdoors—the AF-S NIKKOR 50mm f/1.8G renders a beautiful, natural background blur (Bokeh) at its wider aperture settings. And its 50mm focal length is perfect for creating natural perspective in your photographs.

Shoot tack-sharp portraits every time

Nikon's Super Integrated Coating (SIC) enhances light transmission efficiency and offers superior color consistency and reduced flare, while the AF-S NIKKOR 50mm f/1.8G's Aspherical Lens Element (AS) virtually eliminates coma and other types of aberrations, even when shooting at the widest available aperture. Pair that with Nikon's Silent Wave Motor (SWM) for fast, accurate and quiet autofocus, and you can be sure all of your portraits will be tack sharp.

Push your creativity to the limit

The AF-S NIKKOR 50mm f/1.8G is invaluable for shooting a wide variety of outdoor scenes. With the 50mm f/1.8 you can capture a scene as you perceive it with the naked eye.

Silent Wave Motor

AF-S NIKKOR lenses feature Nikon’s Silent Wave Motor (SWM). This technology converts “traveling waves” into rotational energy to focus the optics. This enables high-speed autofocusing that's extremely accurate and super quiet.

Aspherical Lens

A lens with a curved, non-spherical surface. Used to reduce aberrations and enable a more compact lens size. Aspherical lenses minimize coma and other types of lens aberrations, even when used at the widest aperture. They are particularly useful in correcting distortion in wide-angle lenses and help contribute to a lighter, more compact design by reducing the number of standard (spherical) elements necessary. Aspherical lens elements correct these distortions by continuously changing the refractive index from the center of the lens.

M/A

Select NIKKOR lenses have a focusing mode which allows switching from automatic to manual focusing with virtually no lag time by simply turning the focusing ring on the lens. This makes it possible to seamlessly switch to fine manual focusing while looking through the viewfinder.

Super Integrated Coating

Nikon Super Integrated Coating is Nikon's term for its multilayer coating of the optical elements in NIKKOR lenses.

 

Brand - Nikon, Model - Nikon AF-S Nikkor 50mm f/1.8G, Lens Type - Prime lens, Focal Length - 50mm, Focal Length Ranges - Standard, Lens Mount - Nikon F (FX), Max Format size - 35mm FF, Maximum Aperture - f/1.8 G, Minimum Aperture - F16, Aperture Ring - No, Number of Diaphragm - 7, Aperture Notes - rounded blades, Optic Elements - 7, Optic Groups - 6, Minimum Focus - 0.45 m (17.72"), Maximum Magnification - 0.15x, Autofocus - Yes, Motor Type - Ultrasonic, Filter Size - 58mm, Intended Use - Portraiture, Nature, Compatible With - Nikon D3200, D5300, D5500, D5600, D7100, D7200, D7500, And Full Frame Body D610, D750, D810, D850, Weight - 185gm, Diameter - 72 mm (2.83"), Length - 53 mm (2.07"), Colour - Black, Warranty - 1 Year, Announced - Apr 27, 2011, Viewing Angle - 47degree 

If you recently purchased your first DSLR or mirrorless camera, you probably know it won’t reach its true potential unless you add a few lenses to your basket. Your DSLR purchase could turn into wastage of money if you don’t ever replace the kit lens that came with the camera. Invest in a new lens will certainly bring a huge boost to image quality. Buying a new lens could be intimidating, as you must dive deep into the world of lenses for making an informed purchase. We can always consult with our experts at Ryans either online or physically visiting your nearby Ryans showroom. However, this article aims to help you out with building a greater understanding of lenses.

There are five different parameters that you need to take into consideration while purchasing a lens for your camera. Let’s take a closer look at all these parameters one by one.
 

Lens Speed


Lens Speed is the first thing you need to take into account while purchasing a lens for your DSLR. Lens Speed describes the maximum aperture of the lens. Aperture is a hole within a lens, which allows light to travel into the camera sensor. You can shrink or enlarge the size of the aperture to allow more or less light to reach your camera sensor. It is described as a number with the letter F next to it. The smaller the number the larger the hole and more light can get passed at a time. This means that the shutter speed can be quicker and means the lens is faster.

The maximum aperture of a camera will help you work out several things.
  • A fast lens for instance with a maximum aperture of f/1.4 is capable of taking shots in a lot darker places than a lens with a maximum aperture of f/4 or f/5.6.

  • A faster lens will also allow you to take pictures of moving subjects and freeze them better.

  • Faster lenses let you have a shallower depth of field. This means that when you’re focusing upon a subject the foreground and background will be blurrier. Of course, having a very fast lens means that this can make focusing trickier as your depth of field is very shallow. Of course, you can shoot at a smaller aperture with a fast lens to make your depth of field deeper.

  • Faster lenses will help with your flash photography too as they capture more ambient light.

 

Focal Length 

Focal length allows you to change the perspective of your shot without having any movement. A shorter focal length, like a 24mm one, will allow you to capture a wider slice of the scene. On the other hand, a longer focal length, such as a 200mm, allows you to get closer to the action. That’s why longer lenses are used for capturing distant objects and shorter lenses are good for capturing landscapes. The focal length of a lens tells you how much it will magnify your subject when photographing it. It will also tell you what kind of angle of view you’ll get.
 

Focusing Distance


This is the measurement between the end of your lens and the nearest point that it can focus. It’s particularly useful to know if you’re interested in Macro or close up photography.
 

Image Stabilization


Many mirrorless cameras have image stabilization built into the body to help eliminate camera shake. However, this feature is quite rare in DSLRs. If you want stabilization on a camera that doesn’t have it built-in, you have to buy a lens that comes with this feature. Manufacturers use various tags to denote this feature, from Canon’s IS (Image Stabilization) to Nikon’s VR (Vibration Reduction) to Sony’s OSS (Optical Steady Shot).

Stabilization isn’t always necessary for still photography — shooting at a fast shutter speed will also keep things nice and sharp. However, when working in low light at slow shutter speeds, shooting video in any conditions, or using a very long focal length, stabilization is very important. Stabilization is more common in zoom lenses, less so on primes where the wider apertures let you shoot faster shutter speeds.

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